Dial-a-Musician

In 2005, the Classical Public Radio Network (CPRN) began an on-going collaboration with pianist Orli Shaham to produce Dial-A-Musician, a feature she created for CPRN's morning drive-time programming. This segment was conceived both to further music education and to broaden the listeners' connection to classical music and musicians.

During each feature, Orli directs a listener question to an expert, drawing on personal and professional relationships — literally 'dialing' her guests up for his or her insights. Guests on Dial-a-Musician have included pianists Emanuel Ax and Yefim Bronfman, musicologist Elaine Sisman, composer John Adams, Emerson Quartet violinist Philip Setzer and cellist David Finckel, superstar soprano Natalie Dessay and, of course, Orli’s husband, St. Louis Symphony Music Director David Robertson, and Orli’s brother, violinist Gil Shaham, among over forty others. Dial-A-Musician ran for over two years on numerous local stations.

Below are a few Dial-a-Musician segments. Keep an eye out for more additions in the coming weeks.


Question: Why does the harp have so many pedals?

Guest: Nancy Allen - principal harp, New York Philharmonic

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Question: Where do the players in the orchestra come from and how do they get there?

Guest: JoAnn Falletta - Music Director, Buffalo Philharmonic and Virginia Symphony Orchestra

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Question: Why does the person playing the timpani always put their hands over the surface of the drums just moments after having struck them?

Guest: Jonathan Haas - timpanist

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Question: I heard about a guy who played all of Bach's organ music in 18 hours. Is this true and is it even possible?

Guest: Paul Jacobs - Chair of the organ department at the Juilliard School

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Question: I've watched people play the trombone. How do they know where to move their arm to get the right note?

Guest: John Kenny - trombonist

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Question: How do trumpet players use their lips to make all those different sounds?

Guest: Michael Sachs - principal trumpet, Cleveland Orchestra

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